My takes on:
Esperanza Spalding's 12 Little Spells
and
Tyshawn Sorey's Pillars
These albums could not sound more different, but they're both the work of artists who we may have once considered within the framework of genre (in each case, a loose notion of "jazz") but who have totally outgrown that or any other conventional "style of music." These works are comparable to little other than prior work by these respective artists, and even those associations are tenuous; in each case, best to just let go of the guardrail and get lost.
Side note: Like Esperanza's two prior albums, 12 Little Spells is an excellent illustration of the idea that "prog" is ultimately an outlook, not a style or a genre.
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