Thursday, October 26, 2017

John McLaughlin talks Mahavishnu and more

This one, a Rolling Stone interview with John McLaughlin about his upcoming (final) U.S. tour and the history of the Mahavishnu Orchestra, was definitely a cross-it-off-the-bucket-list type of deal. Would've loved to have had more time with him on the phone — not to mention a better connection on the line — but he was so generous and forthcoming during our chat. I got chills listening to John describe gigging with Lifetime, a group that's probably in the top 10, if not five, of bands I'd choose to go back in time and see live if given the chance.

I'm still making my way through Bathed in Lightning, Colin Harper's exhaustive but extremely readable history of McLaughlin's early career, but this book is invaluable. If you're a fan — or if you've ever found yourself wondering, as I do often, how the fuck music as advanced and inspired as Mahavishnu's could come to exist on this planet of ours — you need it immediately. I'm also a fan of Walter Kolosky's Mahavishu biography Power, Passion and Beauty, an unconventional and informal book that nevertheless has a ton of great original research. The testimonials from many prominent artists who saw Mahavishnu (and Lifetime) live are priceless.

I leave you with this clip of what has become my favorite Mahavishnu piece, "Hope," an easy-to-overlook interlude on Birds of Fire that the band turned into a heavy-metal cataclysm onstage:


I also can't recommend the bonus disc of the classic '73 Mahavishnu live set Between Nothingness and Eternity highly enough. That entire concert is just utterly transcendent and staggering. I'm more in awe of this band than ever, and that's saying something, considering how much they've meant to me over the years.

I also enjoyed getting to know the later Mahavishnu records, such as Apocalypse and Visions of the Emerald Beyond, which I'd mostly overlooked before. They lack the otherworldly drive and focus of the early stuff but are still very much worth checking out. And there's so much more to McLaughlin's vast discography: the mix-and-match post-Mahavishnu all-star date Electric Guitarist and After the Rain, a 1994 trio album with Elvin Jones and Joey DeFrancesco, are a couple I've found myself going back to. And of course the phenomenal Extrapolation. Long live Johnny Mac…

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