Sunday, June 07, 2015


Few news bits to share:

1) I'm thrilled to report that the second Craw Kickstarter campaign, complete as of June 2, has met and exceeded its funding goal. The good people at Northern Spy and Aqualamb, the members of Craw, and myself are already hard at work on the vinyl box set, which will be out later this year. (Above is a subject-to-change rendering of the 100-page, Aqualamb-designed book of photos and lyrics that will accompany the set.) A big thanks to any DFSBP readers who pledged, helped to spread the word or simply gave the campaign a look. Stay tuned!

2) On May 1, I spent more than three hours talking with Milford Graves, a longtime musical hero of mine, at his home in Jamiaca, Queens. A big thanks to Red Bull Music Academy—and my editor there, Todd Burns—for posting an extra-lengthy Q&A drawn from this conversation.

3) I've spent much of this past week on the road with Psalm Zero. Thanks to all bookers, bands (especially the unrelenting Massachusetts noise-rock quartet Livver) and friendly folks who helped to make this trip fun and fruitful. I enjoyed all the shows, but I'd like to single out BRIEFCASEFEST in Toronto on Friday as particularly great experience. Was absolutely floored by the local bands Godstopper and Ayahuasca, each of whom specializes in a unique strain of proggy, melodic post-hardcore that really struck a chord with me, as well as our NYC comrades Couch Slut (a stunningly intense and unsettling band; I'm still reeling) and Pyrrhon (a band that pushes technical death metal into a zone of pure info-overload mania).

Thus concludes my stint working with PZ. I'd like to thank the band's co-leaders, my friends Charlie Looker and Andrew Hock, for a challenging, rewarding experience. They're both extremely creative, prolific and uncompromising musicians, and I can't wait to see what they do next, both together and separately. For the curious, here's a video of a show I played with Psalm Zero in April. If you're not familiar with the band, I firmly believe that their 2014 debut, The Drain (which I wasn't involved in, to be clear), is a new classic of dark, heavy, forward-thinking rock.

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